Act 4 Scene One
The climax of the whole story where Claudio rejects Hero at the Alter.
He also thinks that Hero is anything but innocent, not trusting her or the tears she begins to shed.
Sweet prince, you learn me noble thankfulness.
- There, Leonato, take her back again.
Give not this rotten orange to your friend;
She's but the sign and semblance of her honour.
Behold how like a maid she blushes here!
Can cunning sin cover itself withal!
Comes not that blood as modest evidence
To witness simple Virtue? Would you not swear,
All you that see her, that she were a maid,
By the exterior shows? But she is none:
She knows the heat of a luxurious bed;
Her blush is guiltiness, not modesty.
Claudio still bitter but pouring out his heart with the intended love he so wanted to shower on Hero as his wife.
He then continues to slander her name accusing her of indecency
Thoughts
This makes you wonder if he ever loved her at all to doubt her sincerity and the fact that she still remains untouched by any man. - This goes back to blaming the ones you so dearly love, but also pertaining to the stereotypical views of always blaming the woman for everything. Why he remains accusing her and not fnding out which was the man that supposedly committed the sin with her (Borachio).
He is enraged, and in his anger al the emotions flow, feeling deceived, heart broken, cheated, blinded by the rage he so entirely feels taking over him as he gives his long speech.
In stanza 29 the speech seems to also be pre-conceived as Hero is not allowed to utter a word in her defence, ( showing how men have the upper hand at stating all that it is they want to,without listening to the voices of the women during those times- showing a sense of authority, and the power men had to exert that power if prompted to.), This however changes when the roles are reversed with Beatrice and Benedict
In being more powerful than Don John, Don Pedro seem to act in his esteem, haveing power in the fact that his status is of more importance than his brother, this seeming like the case in the views of Don John.
The other thought is that maybe by dismissing Hero, Claudio regains some of the authority he's probably lost hanging on the word of Don Pedro, always staying with him (as a trusted friend should). And so he oes dismiss her but uses words of poetry to state his affection for Hero in romantic verse, but also in that they also seem wicked and forthright.
But the thing i find interesting is why didn't he confront Hero before the wedding. Hw waited till the wedding day itself - by then he had out a of thought into what he wanted to say to her in front of everybody. In my view i think that as he loved her so much, he wanted the hurt he felt, at thinking she committed some kind of sin, she should feel a hurt much worse, hence slandering her name in front of the people she loved an the people she doesn't even know.
- His views were instigated by people around him.
But then this gives evident signs of a 'Dip' within the comedy, where at first Claudio is so very much liked by the audience, but who now remains a little bit hated for his outburst towards the innocent Hero(even though he doesn't know she is)
His outburst cause a 'Death' in a relationship between Hero and Leonato and Claudio himself and Hero, though it's not the actual outcome he wanted, as Don John wanted Leonato dead, he still got n outcome to satisfy himself with.
She brings shame to herself and her family even though she did nothing, but the slander was enough to cause their family name to get tarnished as well as the legacy their family might have held within society( Again we see that the Hierarchy have some pride and dignity to uphold in the views of society and their status).
Leonato
'Death is the fairest cover for her shame'
He obviously wants her dead bringing such amount of shae to his family is too much to bear, so with her death, that might bring him solace enough for this slander to subside.
This also happens to bring about the change in Roles, the roles reversal, where Beatrice feels that if Benedicts claims of love are true, he should do her some justice by killing Claudio to avenge the "death" of her cousin Hero.( The turn, seems to be where Beatrice has the power to use the love of Benedict to her advantage - she has the upper hand now in the play, which is very dignifying for a woman in her position to have) but the fact remains that she also uses the the intense emotion she's developed the overwhelming and angry feelings at the amount of slander and embarrassment her family's faced. In that instance, she wants revenge in its totality, 'the Death of her cousin = The death of the enemy that cause her death'.